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Ross Annels
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She Sits Between (mountains gazing at the sea) 2007 is another work in my ongoing landscape memoir series.
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Adam Cruickshank
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Wood is pleasant to be worn and has natural elements which compliment the human form. These pieces of jewelery are as unique in construction as they are in design, their durability making for an enduring treasure.
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Ross Annels
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Sprung series chair (2007)
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Adam Cruickshank
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Vessel with reinforced wood veneer
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Adam Cruickshank
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Exquisitely crafted, each of Adam’s jewellery and document boxes are
finished to the last detail. The Lunar box’s top sets dark bodies in white
space for a hi-contrast look. Features hand cut curved dovetails, French
polish finish and hand-cut marquetry.
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Adam Cruickshank
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While these pieces utilize modern cad cam technology, the machine aesthetic is completely lost as the user creates their lamp. |
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Adam Cruickshank
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Lucid to the touch, lucid in operation; this cabinet is designed to be as invisible as it is beautiful. |
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Adam Cruickshank
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Distinctively styled for stunning visual effect, the lamp plays in shadow to create a warm atmosphere that is highlighted by the soft curves of light.
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Richard Vaughan
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Most of my time is engaged in designing and making one-off pieces of furniture
in solid wood to commission. I reckon that straight lines are an imposition, a
construct - at once all too human (in control) and yet dehumanising. Certainly
I favour curves in my furniture designs.
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